Untold stories of Alien 3 as it turns 25!
+ SEE MORE
LATEST NEWS
ADI's mixes it up on the next GODZILLA film!
+ SEE MORE
Some Vanity Fair attention for Tom Woodruff, Jr.
+ SEE MORE
Starting now with t-shirts, books, and a collectible or two, we're testing the market to see if there's a demand to continue to grow the store. Please check it out, and then check out yourself with some new prized possessions that show your support for our world of practical effects.
Hit the new "store" tab above!
+ STORE
Our YouTube Channel, studioADI has over 200 videos and over 110,000 subscribers. See behind the scenes video on almost everything we've touched on over the past 30 years! Click on the studioADI Channel here on our home page and subscribe as we add new segments every week! With over 50 million views and still growing, everyone loves to see how practical effects live and breathe!
+ YouTube
FIRE CITY: THE INTERPRETER OF SIGNS has completed shooting and is now in post production. Directed by Tom Woodruff, Jr. and Exec Produced by Alec Gillis, it is another practical effects based film funded through Kickstarter that is hoped to capture the attention of demon and monster fans. See the trailer here and "like":
+ SEE MORE
HARBINGER DOWN is the all Practical Effects (PFX) creature film the fans have asked for. Funded through Kickstarter and Dark Dunes Productions, Alec Gillis and Tom Woodruff Jr. of StudioADI present an alternative to big studio CG driven genre films. Please help us spread the word. Let the revolution begin.
+ SEE MORE
Twenty-five years ago, we bid adieu to our days with Stan Winston and struck out on our own, destined we believed for filmmaker glory. Over those years, what began as a way to pay the bills grew into an award-winning career and a level of artistic satisfaction that has had its own highs and lows but no regrets.
+ MORE
Since you’re already here, you know we’ve just launched a new site, stripping away some of the relics of the past without losing our identity. At a time when filmmaking is fast and cost-efficient, it seemed like the right opportunity to provide a new source to update, educate, and fire up your interest to have us bring our A-game to your project, small, medium, or large!
With the passing of friend and hero Ray Harryhausen on May 7th, there has been a great sense of loss. While Ray had been in retirement for quite a number of years, there were
always his visits to ADI and our visits to his home in London. He was the inspiration that fueled us and many, many others to bring their passion to play in front of the cameras.
While his physical presence may have left us, the fire he kindled inside still burns brightly, casting enough light to see that he’s still with us!
Scroll Down To See
3 - step process to amazing characters and effects!
1. DESIGN
We call upon the best of our in-house ADI artists and award-winning freelance artists to develop concepts to satisfy script and verbal pitches in visual styles that translate to what can be built as practical, digital, or hybrid character effects.
Character concept designs are output in a variety of media: flat art, photographic pre-visualization, and both traditional clay and digital printed output.
If design is your only need, we can output in a variety of media, particularly when characters will be fully realized in the CG world.
VIEW2. CREATE
Because our design style has evolved from over 25 years of creating some of the best film characters on screen, it is an easy and organic segue into creating the various make-ups, puppets, or animatronics necessary to tell your story.
Our build happens in a state-of-the-art creature studio where everything happens under one roof, guided by the designs and your input - you are a valuable part of the build!
Also, we can integrate your designer's concepts into our world or build from designs you may already have.
VIEW3. PERFORM
Character design doesn't end with the build; performance with emotional content is the final delivery of a character on set for the camera.
Our studio has a long history of hands-on delivery of the final character through performance - either as the in-suit actor or supervising puppeteers of crews from 2 to 24.
VIEW
T I M E
Process from design to shooting can take anywhere from a few weeks (commercials) to 5 months (the Alien Vs. Predator features) or more, depending on the scope of the show and that it's important to know it's never too early to begin a dialogue!
CONTACT US
SOME OF OUR CLIENTS
- FEATURE FILM
- Columbia Pictures
- Dimension Films
- Dreamworks SKG
- Fox 2000 Pictures
- Fusion Films
- Inwood Street Productions
- Largo Entertainment
- Legendary Pictures
- Medient Entertainment
- Metro-Goldwyn-Mayer
- Miramax Films
- New Line Cinema
- Paramount Pictures
- Summit Entertainment
- Touchstone Pictures
- TriStar Pictures
- Turner Pictures
- Twentieth Century Fox
- Universal Pictures
- Walt Disney Pictures
- Warner Brothers
- BROADCAST
- A&E
- The Arthur Company
- Dick Clark Productions
- Fourth Wall Productions, LLC
- HBO
- Laurel Entertainment
- NBC/Universal Television
- Paramount Pictures Television
- RHI Entertainment
- Starz
- 20th Century Fox Television
- Warner Television
- Zoochosis, LLC
- COMMERCIAL / ADVERTISING PRODUCTION
- @radical.media
- Area 51 Films
- Bridges Media
- Bruce Dowad Associates
- City of Angels Creative Enterprises
- CoMPANY
- Copper Media
- Epoch Films
- Great Guns Ltd.
- Harmony Pictures
- Harvest Films
- Propaganda Films
- Pytka Films
- RSA-USA, Inc
- Spy Films
- Titleboy DBA Prologue Films
- Traktor
- Villians
- COMMERCIAL / ADVERTISING AGENCIES
- Albert Lan Design
- BBDO New York
- BBDO, Düsseldorf
- Bozell Worldwide
- DDB
- DDB Needham
- Element 79
- Fallon McElligott
- Foote Cone & Belding
- Leo Burnett
- Lowe & Partners
- McCann-Erickson, Inc.
- Messner Vetere Berger McNamee Schmetterer
- Mother New York
- TBWA/Neboko
- Team Detroit
- Young & Rubicam
- Wieden+Kennedy